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Google Alert - Entertainment

Google
Entertainment
Daily update January 14, 2022
NEWS
The New York Times
Emily St. John Mandel talks about the pandemic novel she wrote years before Covid-19 and the HBO Max adaptation that some viewers have found oddly life-affirming.
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The New York Times
In this gorgeous anime, a high school student journeys into a virtual world and finds herself amid cute, kooky and menacing fellow users.
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The New York Times
LONDON — Prince Andrew, the second son of Queen Elizabeth II, has been forced to relinquish his military titles and royal charities, Buckingham Palace said on Thursday, a stinging rebuke by the British royal family a day after a federal judge in New ...
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Vanity Fair
"We love Steve…the Steves out there are good guys," say Sex and the City writers Julie Rottenberg and Elisa Zuritsky. "But Miranda's journey is representing another reality." By Julie Miller. January 13, 2022. Save this story for later.
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Slate Magazine
Two decades after the fall of civilization, the series, which was adapted by Patrick Somerville from Emily St. John Mandel's novel, falls in with the Traveling Symphony, a group of wandering players who bring music and Shakespeare to the scattered ...
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The New York Times
"We Don't Talk About Bruno" from "Encanto" is a surprise chart topper and TikTok darling. Here's how Disney created its biggest smash since "Let It Go.".
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The New York Times
"There are certain rules to surviving a 'Stab' movie," Dewey (David Arquette), now a disgraced former police officer and over-imbiber, tells the latest batch of potential victims. But ...
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NPR
It was August 1987, and a potential moral panic over suggestive gyrating proved unnecessary when Dirty Dancing turned out to be a coming-of-age romance where the dancing was not, in fact, all that dirty.
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The New York Times
All that typing has led to "Loved & Lost," Carrie's latest memoir, which delves into the death of Big. If that sounds dark and sad, it is, which is the exact issue her editor, Amanda (Ashlie Atkinson), has with the story.
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NPR
Poitier first became a movie star in the 1950s – an era where most of the Black men in movies and on television had little choice as to how they were portrayed. Some were silly (see Amos 'n Andy — the TV show, not the radio) or dim (Stepin Fetchit) or cast ...
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